in Frieze London & Frieze Masters , News | 05 JUN 25

All the Galleries You Can See at Frieze London and Frieze Masters 2025

The fairs return to The Regent’s Park this October, spanning 6,000 years of historical art and today’s most pioneering artists

in Frieze London & Frieze Masters , News | 05 JUN 25

The art world comes to The Regent’s Park, London for Frieze London and Frieze Masters (15 – 19 October 2025), which together bring more than 280 galleries from 45 countries. This year’s fairs foreground artists and curated programming, reaffirming London’s defining role as a global centre of artistic exchange, shaped by profound expertise across histories and geographies.

Carl Freedman Gallery at Frieze London 2025. Photo: Linda Nylind — Carl Freedman Gallery at Frieze London 2024. Photo: Linda Nylind

‘We’re excited to return to London this October with two fairs that foreground the spirit of discovery at the heart of Frieze,’ said Kristell Chadé (executive director of fairs, Frieze). ‘Together, the fairs reaffirm Frieze Week as an unmissable moment in the cultural calendar, where historical and contemporary art come into powerful dialogue.’

Eva Langret, director, Frieze EMEA, added: ‘Frieze London this year deepens our commitment to artists shaping the future of contemporary art, and continues to foreground practices that challenge, inspire and expand how we think about art today. Drawing on London’s creative pulse – championing bold ideas and setting the pace for curatorial innovation – the fair reinforces the city’s status as a globally recognized centre of contemporary culture.’

John Gallery, Frieze Masters 2024. Photo: Hugo Glendinning — Johyun Gallery at Frieze Masters 2024. Photo: Hugo Glendinning

New director of Frieze Masters Emanuela Tarizzo said: ‘It’s a privilege to lead Frieze Masters into this next chapter. From ancient art to 20th-century icons, the fair will showcase works that speak across time and place, inviting collectors and audiences to discover the depth, beauty and power of art history. I’m excited to welcome visitors to an edition shaped by both history and fresh perspectives.’

The Frieze London and Frieze Masters curated programmes include special projects and activations, including the return of the Frieze London Artist Award and celebrated Frieze Masters Talks, alongside collaborations with key UK arts organizations and public institutions. Frieze Sculpture, the celebrated free public art initiative curated by Fatoş Üstek, will coincide with the two fairs and run 17 September – 2 November 2025 in The Regent’s Park’s English Gardens.

Frieze London

Enrique López Llamas, El otro protagonista de la noche, 2024–25. Single-channel 4K video, colour, sound, 26’38’’. Edition of 5, 2 AP. Courtesy: the artist and LLANO — Enrique López Llamas, *El otro protagonista de la noche*, 2024–25. Single-channel 4k video, colour, sound, 26' 38". Edition of 5, 2 AP. Courtesy: the artist and LLANO

Frieze London convenes the world’s foremost galleries and artists on an international platform for ambitious programming and critical engagement. Showcasing more than 160 galleries, the 2025 edition features 58 London-based exhibitors who define the city’s cultural landscape both locally and internationally, including The Approach, Arcadia Missa, Carlos/Ishikawa, Sadie Coles HQ, Corvi-Mora, Thomas Dane Gallery, Emalin, Frith Street Gallery, Herald St, Hollybush Gardens, Alison Jacques, Josh Lilley, Lisson Gallery, Kate MacGarry, Modern Art, Maureen Paley, Richard Saltoun Gallery, Seventeen, Soft Opening, Stephen Friedman Gallery, The Sunday Painter, Tiwani Contemporary, Union Pacific and Victoria Miro.

Alvaro Barrington, Stop Drop Open Up Shop N0924, Outside, 2025, 2025. Yarn, concrete and lock on burlap in steel frame, silkscreen, concrete and wooden stick on canvas in steel rebar frame, steel scaffold pole, 213 × 333 × 10 cm. Courtesy: the artist and Emalin — Alvaro Barrington, *Stop Drop Open Up Shop N0924, Outside, 2025*, 2025. Yarn, concrete and lock on burlap in steel frame, silkscreen, concrete and wooden stick on canvas in steel rebar frame, steel scaffold pole, 213 × 333 × 10 cm. Courtesy: the artist and Emalin

Leading international galleries at the fair include blank, Fortes D’Aloia & Gabriel, Gagosian, Goodman Gallery, Galerie Max Hetzler, Gallery Hyundai, Taka Ishii Gallery, Jahmek Contemporary Art, Tina Kim Gallery, Kukje Gallery, Kurimanzutto, Lehmann Maupin, Pace Gallery, Perrotin, Almine Rech, Thaddaeus Ropac, Esther Schipper, Sprüth Magers, Stevenson, Michael Werner Gallery, White Cube and David Zwirner.

For the second year, visitors to Frieze London will encounter specially selected presentations at the fair’s entrance. This year, the featured galleries are Portas Vilaseca, The Pit and Soft Opening.

Artist-to-Artist

The Artist-to-Artist section returns as a cornerstone of Frieze London’s artist-led programme. Comprising six solo presentations, each selected by a world-renowned artist, Artist-to-Artist reflects the fair’s longstanding commitment to artistic exchange across its global network, reinforcing the role of artists as advocates and collaborators.

René Treviño, Intuition, Premonition, Foresight, 2022. Acrylic and mixed media on leather, 1.3 × 2.8 m. Courtesy: the artist and Erin Cluley Gallery — René Treviño, *Intuition, Premonition, Foresight*, 2022. Acrylic and mixed media on leather, 1.3 × 2.8 m. Courtesy: the artist and Erin Cluley Gallery

This year, Artist-to-Artist features Ilana Harris-Babou (Dreamsong) nominated by Camille Henrot, Katherine Hubbard (Company Gallery) nominated by Nicole Eisenman, Ana Segovia (Kurimanzutto) nominated by Abraham Cruzvillegas, Neal Tait (Lungley Gallery) nominated by Chris Ofili, René Treviño (Erin Cluley Gallery) nominated by Amy Sherald, and T. Venkanna (Gallery Maskara) nominated by Bharti Kher.

Echoes in the Present

Echoes in the Present, curated by Jareh Das, an independent curator working between the UK and West Africa, explores the connections between artists from Brazil and Africa, and their diasporas. These ties are shaped by shared histories marked by the forced movement of African people across the Atlantic, and by subsequent cultural exchange. Bringing together a range of contemporary practices, Echoes in the Present looks at heritage, innovation and speculative futures. Its narratives engage with the intricate relationships between land, material and memory.

Alberto Pitta, Ogum Wari, o primeiro ourives de Oxum (série Ogum que São Sete), 2023. Paint and silk screen on canvas. 3.5 × 3 m. Courtesy: the artist and Nara Roesler. Photo: Flavio Freire — Alberto Pitta, *Ogum Wari, o primeiro ourives de Oxum* (detail) from the series ‘Ogum que São Sete’, 2023. Paint and silkscreen on canvas. 3.5 × 3 m. Courtesy: the artist and Nara Roesler. Photo: Flavio Freire

The section includes the artists Bunmi Agusto (Tafeta), Serigne Mbaye Camara (Galerie Atiss Dakar), Diambe (Simões de Assis), Mélinda Fourn and Naomi Lulendo (Selebe Yoon), Lilianne Kiame and Sandra Poulson (Jahmek Contemporary), Aline Motta (Mitre Galeria), Alberto Pitta (Nara Roesler) and Tadáskía (Fortes D’Aloia & Gabriel).

Toby Cato, The Dreamer, 2025. Acrylic and cut canvas on jute. 1.2 × 1.8 m. Courtesy: the artist and Harlesden High Street — Toby Cato, *The Dreamer*, 2025. Acrylic and cut canvas on jute. 1.2 × 1.8 m. Courtesy: the artist and Harlesden High Street

Focus

This year, Frieze’s long-standing section dedicated to fostering a community of young galleries up to 12 years old features new international spaces a. Squire, Bombon, Coulisse, Cylinder, Gathering, Kayokoyuki, Eli Kerr and King’s Leap alongside returning participants El Apartamento, Gallery Artbeat, Brunette Coleman, Clima, diez, Rose Easton, Franz Kaka, Gianni Manhattan, Ginny on Frederick, Gypsum, Harlesden High Street, Hot Wheels, Galerie Noah Klink, Llano, Madragoa, Marfa', Nicoletti, palace enterprise, Petrine, Public, Sophie Tappeiner, Gallery Vacancy, Wschód and Xxijra Hii.

Do Ho Suh, Karma, 2016. Cyanotype on paper, 1.5 × 1.1 m. © Do Ho Suh. Courtesy of the artist and STPI – Creative Workshop & Gallery, Singapore — Do Ho Suh, *Karma*, 2016. Cyanotype on paper, 1.5 × 1.1 m. © Do Ho Suh. Courtesy of the artist and STPI – Creative Workshop & Gallery, Singapore

Editions

Featuring limited-edition artworks created by leading international artists, Editions offers opportunities for new audiences to collect at affordable prices. Participants in 2025 include Borch Editions, Cristea Roberts Gallery, Knust Kunz Gallery Editions, Paragon and STPI.

Peter Hujar, Mario Montez Backstage at the Palm Casino Revue, 1974. Vintage gelatin silver print, 34 cm × 34 cm (image). © The Peter Hujar Archive, LLC, Courtesy: Pace Gallery — Peter Hujar, *Mario Montez Backstage at the Palm Casino Revue*, 1974. Vintage gelatin silver print, 34 × 34 cm. © The Peter Hujar Archive, LLC. Courtesy: Pace Gallery

Frieze Masters

At Frieze Masters, six millennia of art are in dialogue, from rare antiquities and major European paintings to modern icons and contemporary global voices. An artist-centred curatorial approach remains at the core, with the return of the much-celebrated Studio and Spotlight sections, joined this year by Reflections, a new initiative encouraging connections across time, media and context.

With more than 120 galleries from 26 countries, Frieze Masters 2025 reaffirms its status as a destination for historical works, spanning painting, sculpture and the decorative arts. This year’s edition brings together leading galleries such as Åmells Konsthandel, ArtAncient, Charles Ede, Sam Fogg, Stephen Friedman Gallery, Richard Green, Johnny Van Haeften, Hauser & Wirth, Hazlitt Holland-Hibbert, Annely Juda Fine Art, Ortuzar, Pace Gallery, Salon 94, Richard Saltoun Gallery, Skarstedt, Tomasso, Axel Vervoordt, Waddington Custot, Offer Waterman and Adam Williams Fine Art.

Jacob Willemsz Delff the Younger, A Portrait of Salomon van Schoonhoven, 1646. Oil on panel, 72 × 60 cm. Courtesy: Johnny Van Haeften — Jacob Willemsz Delff the Younger, *A Portrait of Salomon van Schoonhoven*, 1646. Oil on panel, 72 × 60 cm. Courtesy: Johnny Van Haeften

Frieze Masters also continues to provide a platform for specialist galleries to present rare and lesser-known works. This year sees a strong contingent of experts in Old Masters and decorative arts, including Salomon Lilian, Koetser Gallery, Peter Finer, Robilant+Voena, Didier Aaron, Colnaghi, De Jonckheere and Raccanello & Leprince. Asian art specialists include Carlton Rochell Asian Art, Francesca Galloway, Tenzing Asian Art, Thomsen Gallery, Michael Goedhuis, Shibunkaku, Grosvenor Gallery, Johyun Gallery and Jhaveri Contemporary. Rare books and manuscripts dealers including Daniel Crouch Rare Books, Dr. Jörn Günther Rare Books and Shapero Rare Books / Shapero Modern.

New participants Art Exposure, Champ Lacombe, Galeria Francisco Fino, Galerie Mikael Andersen, Galerie Mueller, Jahn und Jahn, Jeremy Scholar, Joost van den Bergh, Luisa Strina, Vito Schnabel Gallery and Zürcher Gallery join returning exhibitors Kallos Gallery, Ambrose Naumann Fine Art, Otto Naumann, Salon 94, Schoelkopf Gallery, Gallery Moshe Tabibnia, Tomasso, Venus Over Manhattan, Rupert Wace and The Weiss Gallery.

Studio

Returning for its third iteration, the Studio section – curated by Sheena Wagstaff (chair emerita, modern and contemporary art, The Met) and Margrethe Troensegaard (Studio assistant curator) – is based on the idea that the studio can be seen as a time machine: a unique place of making where the artist works at the edge of the vast terrain of past cultures and a space in which historical memory lights a spark of invention, which manifests in objects that look to the future.

This year’s line-up includes solo presentations by acclaimed artists Dorothy Cross (Frith Street Gallery), Anju Dodiya (Vadehra Art Gallery), Samia Halaby (Sfeir-Semler Gallery), R. H. Quaytman (Miguel Abreu Gallery), Anne Rothenstein (Stephen Friedman Gallery) and Glenn Brown (Gagosian).

Helena Almeida, Pintura Habitada, 1975. Black and white photograph with blue acrylic paint, 44 × 52 cm. Courtesy: Galeria Francisco Fino. Photo: carbonara.st — Helena Almeida, *Pintura Habitada*, 1975. Black-and-white photograph with blue acrylic paint, 44 × 52 cm. Courtesy: Galeria Francisco Fino. Photo: carbonara.st

Spotlight

Spotlight features solo presentations by 20th-century artists, curated by Valerie Cassel Oliver (Sydney and Frances Lewis Family curator of modern and contemporary art, Virginia Museum of Fine Arts). The section highlights both under-recognized figures and lesser-known works by established artists, with a focus on the period from the 1950s to the 1970s.

This year’s artists include Alice Adams (Zürcher Gallery), Novera Ahmed (Jhaveri Contemporary), Helena Almeida (Galeria Francisco Fino), Marina Apollonio (10 A.M. Art), Janice Biala (Berry Campbell), John Carter (Champ Lacombe), Ha Bik Chuen (Rossi & Rossi), Robert Coutelas (Loeve&Co), Amitava Das (Art Exposure & Shrine Empire), Agustin Fernandez (Jeremy Scholar), Eleonore Koch (Almeida & Dale), Sonja Ferlov Mancoba (Galerie Mikael Andersen), Madge Gill (The Gallery of Everything), Dorothy Antoinette ‘Toni’ Laselle (Inman Gallery), Iria Leino (Harper's), Bertina Lopes (Richard Saltoun Gallery), Nalini Malani (Volte Gallery), Titina Maselli (Secci), Cildo Meireles (Galatea & Luisa Strina), István Nádler (Einspach & Czapolai Fine Art), Teresa Roza d’Oliveira (Perve Galeria), Mona Saudi (Lawrie Shabibi), Sonja Sekula (Galerie Mueller), Prince Twins Seven-Seven (kó) and Kenji Yoshida (October Gallery).

Nalini Malani, Utopia, 1969-1976. Double video projection, 3’44”. Courtesy: Volte Art Project. Photo Nalini Malani — Nalini Malani, *Utopia*, 1969–76. Double video projection, 3' 44". Courtesy: Volte Art Project. Photo: Nalini Malani

Reflections

Reflections is inspired by two of the most iconic collections of objects in the world, Sir John Soane’s Museum in Lincoln’s Inn Fields (London, UK); and Kettle’s Yard (Cambridge, UK), the former home of curator and scholar Jim Ede. The invite-only section is curated by Abby Bangser (Founder and Creative Director, Object & Thing).

Frieze Week

During Frieze Week in October, major institutional exhibitions take place throughout the city. Highlights include ‘Cecil Beaton’s Fashionable World’ at National Portrait Gallery; ‘Danielle Brathwaite-Shirley – The Lack: I Knew Your Voice Before You Spoke’ and ‘Peter Doig: House of Music’ at Serpentine Gallery; ‘Egypt: Influencing British Design 1775–2025’ at Sir John Soane’s Museum; ‘Gilbert & George: 21st Century Pictures’ at the Hayward Gallery; ‘Kiefer / Van Gogh’ and ‘Kerry James Marshall: The Histories’ at the Royal Academy of Arts; ‘Lee Miller’ at Tate Britain; ‘Nigerian Modernism’ at Tate Modern; and ‘Wayne Thiebaud: American Still Life’ at The Courtauld.

Uzo Egonu, Northern Nigerian Landscape, 1964. © The estate of Uzo Egonu. Courtesy: Tate — Uzo Egonu, *Northern Nigerian Landscape*, 1964. © The estate of Uzo Egonu. Courtesy: Tate

No.9 Cork Street

Frieze’s Mayfair space hosts international galleries from South and Central Asia, and the Middle East. On show from 10 – 25 October are presentations from Vadehra Art Gallery, exhibiting work by Zaam Arif curated by Ben Broome; Hafez Gallery from Saudi Arabia, showing paintings by Cairo-based artist Ibrahim El Dessouki; and a group show by Artwin Gallery of artists from Central Asia.

Further Information

Frieze London and Frieze Masters, The Regent’s Park, 15 – 19 October 2025.

For all the latest news from Frieze, sign up to the newsletter at frieze.com, and follow @friezeofficial on Instagram and Frieze Official on Facebook.

Frieze London and Frieze Masters are supported by global lead partner Deutsche Bank for the 22nd consecutive year, continuing a shared commitment to artistic excellence. At this year’s fairs, Deutsche Bank will present the work of Noémie Goudal.

^{Main Image: diez at Frieze London 2024. Photo: Linda Nylind}